May 9th, 2012
April 30th, 2012
April 23rd, 2012
bbook:

Narrator: [about the soap] Tyler sold his soap to department stores at $20 a bar. Lord knows what they charged. It was beautiful. We were selling rich women their own fat asses back to them.

bbook:

Narrator: [about the soap] Tyler sold his soap to department stores at $20 a bar. Lord knows what they charged. It was beautiful. We were selling rich women their own fat asses back to them.

(Source: fassyy)

April 7th, 2012
GPOY

GPOY

(Source: filmcrack, via chronicareally)

March 21st, 2012
“Is that your blood?”“Some of it, yeah.”

“Is that your blood?”
“Some of it, yeah.”

(via masterofkarateandfriendship)

March 6th, 2012
January 25th, 2012

(Source: jolieing, via buttsexington)

January 20th, 2012

[the films of] David Fincher

January 4th, 2012
December 21st, 2011
thecarlosramos:

The Girl With the Dragon Tattoo (no spoilers): Absolutely overjoyed with this perfect film. Best of the year. But what I wanna talk about is the darkness of it. I love all of Fincher’s work but the times of Se7en and Fight Club I really thought were over and he would become more Oscar friendly from now on (no more crazy opening credit sequences etc). That wonderfully awful feeling he gave you leaving 7 and FC where you were entertained but more importantly slightly disturbed at having witnessed something so grotesque but human. With Dragon Tattoo these films are kind of a morbid trilogy where Fincher takes major blockbuster studio budgets but makes uncomprimisingly dark films that speak to a real audience not just on opening weekend but become those DVD’s with the worn cases from being watched so many times. AND YES, insane opening credits return :) Thank you Fincher for being as good as I so badly want you to be.

thecarlosramos:

The Girl With the Dragon Tattoo (no spoilers): Absolutely overjoyed with this perfect film. Best of the year. But what I wanna talk about is the darkness of it. I love all of Fincher’s work but the times of Se7en and Fight Club I really thought were over and he would become more Oscar friendly from now on (no more crazy opening credit sequences etc). That wonderfully awful feeling he gave you leaving 7 and FC where you were entertained but more importantly slightly disturbed at having witnessed something so grotesque but human. With Dragon Tattoo these films are kind of a morbid trilogy where Fincher takes major blockbuster studio budgets but makes uncomprimisingly dark films that speak to a real audience not just on opening weekend but become those DVD’s with the worn cases from being watched so many times. AND YES, insane opening credits return :) Thank you Fincher for being as good as I so badly want you to be.